Art Auction

Recently I participated in the annual student art auction on campus. The problem with studio classes is that you are usually making things that either you want to keep or no one will want to buy (like the odd practice still lifes that we did for most of the semester in painting class or the 20 body parts for sculpture) and that I don't have much extra time to make things to sell. When this year's auction rolled around, I actually had stuff to submit- extra prints from print class last semester. I picked a few out to auction and sold four of them. The Student Art League takes a 25% cut of the bids, but even after their cut, I had made $18.75! Not bad, I was pleased. I found out later that my woodshop teacher had bought one of them!

I don't think I ever got around to posting the rest of what I did in print class, I'll have to show that sometime. I would love to do more in that area, but the classes fill up crazy fast- way faster then the other studios.

I was pleased with a lot of the artwork up for bid- in past years there has been a lot of crap because they will let anyone submit anything. Last year I was outbid and didn't win anything, so it was a pleasant surprise to win three of the four things that I wanted.

So here's what I won:

This is a little (about 8x10") photo/painting collage on board by Mel Keiser. She has done some really great paintings in shows on campus so I was excited to own one of hers. I fell for the hair/flowers area. I don't like a lot of collages because it's often hard to mix materials and make it work but I think it works here. I paid $14 for it.

This intaglio print is called "A Lot of Frames to Fill" and it's by Makenzie Cherban. This is done with a metal plate and she scratched all those lines into a coating on a metal plate that was then put in acid to eat away the lines. Printing is time consuming as well- you fill the lines in with ink and then wipe wipe wipe the surface of the plate- when it goes through a press, the enormous pressure pushes the paper into the lines and you get a print. 

It's pretty large and I liked all the ornate frames- it made me think of the one I spraypainted black. Worth $9 to me.

I had seen this unframed in a different show and liked it- so I was glad to see it in the auction. Entitled "Barflies", it's by Courtney Bryan and I thought she made a fun screenprint. I liked the positive/negative space and bright colors. I liked the fly silhouettes. Registration (things lining up) is always an issue for printmakers. Sometimes mis-registration works and sometimes it doesn't but I like the way the black outline is off. I paid $31 for this, which was a bit expensive but if I were to frame it myself I'd be spending a chunk on that so it actually is a good deal.

This is the one I wished I'd won:

I really enjoyed this painting- I really liked the tones/colors used in it and the technique is good. It's larger- about 2.5' square. A big reason why I liked it so much was that I did a series of similar b&w handprinted photographs way back in 2001 that were very well received (and won me prizes and money and clients). I would have loved to have had this up with them on my wall. Sometime I will have to scan and show those. I would love to have that series become a book.

A lot of people want to collect art but don't know how to go about it. Clearly I'm not collecting art as an investment, but for enjoyment. I think that often people worry too much about collecting names or spending lots of money. I don't believe that collecting art has to be expensive, quite the opposite. I've found great stuff for pennies. I feel that a lot of the expensive art out there isn't worth it. A lot of art is expensive because of time and materials but just because it is a Warhol doesn't mean that it is the best thing ever- artists generally have periods of artmaking that are better than others and this could be part of the lesser stuff. And there might be some no-name thing that is the best thing ever.

A lot of people say "I don't know art but I know what I like". Exactly. Collect what you like. It's ok to do so! Then it will be worth something to you.

The art world is a two way street- creator and collectors. I think it's important to support the art world-  I like it when people look at or buy my stuff so I make an effort to see what other people are doing. If I fall in love with something, then I'll make an effort to own it. Art makes our world interesting.

For crying out loud, support your artists- who wants to have a boring cookie cutter living room anyhow? If I can duplicate your living room down to the manufactured BB&B art on your walls, then there's a problem.

Be unique.

And can you tell that I will need a LOT of wallspace in my future abode?

Lace Box

The third project in Metals class was to make a box. So I thought "Oh, a camera box would be fun- I'll have lots of time to make something more complicated" and designed this:

I was really tempted to make it in paper and call it good! The front part would come out like a drawer and house some little photo artifacts of bygone days- BD, or Before Digital. There would be a little hook and eye to keep the drawer shut. And maybe a back piece that opened to show an old photo.

So I started on that, rollerprinting copper with a canvas texture. But I didn't get far- I'd forget my toolbox or forget stuff in the car. One day I sent half an hour searching for the metal I'd prepared, only to find it hiding in my backpack- I thought I was going crazy!

And then I hit other snags- like Mom in the hospital. And me being sick. And Hanky needing surgery. And then it became a matter of getting something done to turn in.

Crit was terrible- no one had anything finished. Including me. That doesn't happen. I was disappointed and embarrassed. But I got an extension to turn it in after the weekend and busted my butt to finish it in time.

It's a little harder to make square boxes then round boxes so I redesigned and made this:

I was inspired by the pin/earring/necklace pewter boxes that I had as a child. Those were a bit hokey though. I rollerprinted lace into the copper. I soldered and made a lid and base that actually fit together pretty well (you can't see the ring on the underside of the lid) which is a bit tricky with metal. The flowers are not permanently attached, you can take them off and wear them as pins. I rollered the copper to be thin, cut out my shapes, filed the edges and then hammered the edges to make them even thinner. Then I used a dappling block (a metal cube with different sizes of bowl shapes cut out of it) to hammer my flat shapes into a cupped flower shape.

There are holes drilled in the walls of the base so that one can string it and wear it as a pendant if desired. I didn't have time to add anything inside, but maybe I'll put a flower in there in the future. I applied patina and sanded it away just enough to really show the lace pattern. I sanded the edges and bottom to make them a brighter color for contrast.

Overall, I like my box and I'd like to do my camera still. I'm pleased that I figured out on my own how to solder the flowers and that it worked! I strung the flowers onto the wire and hung them upside down from steel cross-locking tweezers and applied solder to where the wire met the bottom flower. It flowed and worked! Then I had to twist the wire to work harden it, the heat from the torch anneals it to make it soft and you can't have a floppy pin back or it will bend and break. Then I filed the ends to be pointy enough to go through a shirt (but not too pointy!). They're held in the lid with little chunks of eraser for now.

I have a good amount of lace-textured copper left over- I should make a bracelet or something with it. I think it's pretty funny to make such girly stuff with non-girly materials and tools- metal and files and hammers and whatnot.

It's fun making stuff with big girl toys- like torches!